★Edited by Chloe Harrison, Louise Nuttall, Peter Stockwell and Wenjuan Yuan, Cognitive Grammar in Literature (University of Nottingham, John Benjamin Publishing, 2014)
ここしばらく、facebookに気になる本の書誌を投稿しておりましたが、同サーヴィスは過去の投稿を探すのが大変。そんなの最初から分かっておろうてなものですが、今日も今日とて「あれあれ、たしかfacebookに投稿したよな…」という本を探すのに苦労したのを機に、こちらにも転載していこうと思います。って、誰になんの言い訳をしておるのか。
『文学における認知文法』というタイトル。ちょうどいま、文学論と文法論について考え中のわたくしは必読であるかもしれない本。
This is the first book to present an account of literary meaning and effects drawing on our best understanding of mind and language in the form of a Cognitive Grammar. The contributors provide exemplary analyses of a range of literature from science fiction, dystopia, absurdism and graphic novels to the poetry of Wordsworth, Hopkins, Sassoon, Balassi, and Dylan Thomas, as well as Shakespeare, Chaucer, Barrett Browning, Whitman, Owen and others. The application of Cognitive Grammar allows the discussion of meaning, translation, ambience, action, reflection, multimodality, empathy, experience and literariness itself to be conducted in newly valid ways. With a Foreword by the creator of Cognitive Grammar, Ronald Langacker, and an Afterword by the cognitive scientist Todd Oakley, the book represents the latest advance in literary linguistics, cognitive poetics and literary critical practice.
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